Welcome back. If you like reflections, you’re going to love this post, as it discusses three reflective tutorials from How to Cheat in Photoshop, 6th ed., by Steve Caplin.
Despite the title of this exercise, there didn’t seem to be any glass in the images Caplin provided. Certainly the floor was shiny enough to be glass, but it looks to me more like highly polished marble. At any rate, Caplin manages to take 4 disparate elements — sky, floor, ornate picture frame, and businesswoman — and make them look a if they all work together. At least he provides the instructions for doing so, anyway:
Although either the Original and Completed montages could be used to enhance a business project on getting the big picture, the elements on the left don’t relate to each other. By creating the reflections and moving the woman so she appears to be stepping through the frame, the whole image hangs together.
Creating the reflection of the sky on the floor was simple: Duplicate the sky layer, flip it vertically, reduce its opacity and change its Layer Mode to Hard Light. Instant shiny floor without the laborious polishing!
The reflections of the frame and the woman were also flipped vertically and reduced in opacity. But, instead of Hard Light Mode, the layers were switched to Overlay. In addition, the frame’s reflection had to be sheared in perspective and a layer mask added – to both the original frame and the reflection – to make it look as if the woman is stepping through the frame instead of just walking next to it.
Once again, in this tutorial Caplin goes above and beyond by giving his readers an art lesson along with a technical one.
This next tutorial I found extremely difficult to complete the first time I tried it, mostly because at the time I only had a mouse. As discussed in a previous post, I later acquired a graphics tablet drawing device. You an see the difference it makes, below:
Shearing the reflected camera layer and then moving the elements, such as the lens and lettering, wasn’t the challenging part. The difficulty came with removing the highlights from the lens casing. Even with the graphics tablet, it’s still a tricky business, but the result is much more convincing.
A Bridge Too Far
This tutorial was another former Friday Challenge. The point of the tutorial was not the bridge itself, but the reflection on the water. That said, Caplin does have his readers build a very basic bridge even though he could have supplied it. That’s because many Photoshop users are uncomfortable with the Pen Tool, so Caplin used the bridge construction project as a Pen Tool practice exercise. In any case, let’s focus on the water:
Typically, water images will already contain a reflection, such as in the Original. Simply duplicating the bridge, then flipping the copy and lowering its opacity of copied would allow the existing reflection to show through, but unconvincingly so. To remedy this, Caplin has his readers make a new layer and use the bridge reflection as a Clipping Mask. Then, some of the water texture is cloned over the mask. Once the cloned water layer is reduced in both opacity and saturation, the resulting reflection is much more realistic, even if the bridge Caplin instructed his readers to create looks a bit artificial.
Next: Shiny Surfaces – Part 6 – A Brain, A Fish and A Vase